The way we were mixing our colors 1. Wood cut 50x70cm
The way we were mixing our colors 2. Wood cut 50x70cm
My moon house. Wood cut, paint, 50x70cm
Our cave talk. Etching 20x20cm
Our cave talk, ended here. Etching 20x20cm
The tree of remembrance. Wood cut 50x70cm
The landscape that expects you 1. Wood cut 50x70cm
Over our ideas flight 1. Wood cut 50x70cm
The landscape that expects you 2. Wood cut 50x70cm
We are the mirror. Wood cut 50x70cm
I saved the sun for us. Wood cut 50x70cm
I prayed to the tree. Etching, 20x20cm
The house of hands 1. Wood cut 50x70cm
The house of hands 2. Wood cut 50x70cm
Looking for our roots. Wood cut, paint, 50x70cm
The tree that paints itself 1. Wood cut, paint, 50x70cm
The tree that paints itself 2. Wood cut, paint, 50x70cm
I am the building. Drawing mixed media 20x30cm
We searched for our ancestors. Drawing mixed media 20x30cm
My observation room. Drawing mixed media 20x30cm
I prayed to the night. Drawing mixed media 20x30cm
Resting from the travel. Drawing mixed media 20x23cm
Over our ideas flight 2. Wood cut, paint, 50x70cm
1990 - 1991
In this group of early works, the media used (mostly woodcut and etching) were not chosen so much for their potential to produce multiple copies but more for their particular mode of expression: the deep contrasts and the sharp incisions employed in engraving are the perfect means to illustrate the profound contradictions and paradoxes that make up human existence itself. The fixedness of the compositions is a historical reference to the symbolic landscapes used as backdrops for the holy scenes in Byzantine and medieval iconography.